Going La La over … what?

How much should a film be commended for being what it’s not? It’s the first thought I experienced after walking out of the cinema last weekend, as I tried to comprehend the love that’s been directed towards La La Land over the last few months. There were too many nods to Gene Kelly and other instances of familiarity and outright déjà vu for it to be regarded as something ground breaking, but it has one characteristic that prevented me feeling hostile towards it. It’s difficult to pinpoint an exact moment when ironic in-jokiness for its own sake became venerated, even if substance was otherwise absent, and La La Land is refreshingly lacking in the gruesome, artless knowingness that afflicts so many movies of the last few decades.Read More »

Advertisements